Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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carl gustaf hellqvist
Religious Discourse between Olaus Petri and Peder Galle

ID: 80601

carl gustaf hellqvist Religious Discourse between Olaus Petri and Peder Galle
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carl gustaf hellqvist Religious Discourse between Olaus Petri and Peder Galle


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carl gustaf hellqvist

  Related Paintings of carl gustaf hellqvist :. | Gustaf Vasa anklagar biskop Peder Sunnanvader infor domkapitlet i Vasteras | Peder Sunnanvaders and Master Knuts Ignominious Entry into Sthlm | Religious Discourse between Olaus Petri and Peder Galle | Gustaf Vasa anklagar biskop Peder Sunnanvader infor domkapitlet i Vasteras | Carl Gustaf Hellqvist and his wife Julia Thiersch |
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John Leslie Breck
1860-1899
Frank Bramley
English Painter, 1857-1915 was a British post-impressionist painter of the Newlyn School. Bramley studied at the Lincoln School of Art from 1873 to 1878, later at the Royal Academy of Fine Arts Antwerp from 1879 to 1882. After staying in Venice from 1882 to 1884, he moved to the Newlyn School artist colony in Cornwall. Bramley worked on combining natural and artificial light in his paintings. His A Hopeless Dawn (1888) was bought by the Tate gallery. He married artist Katherine Graham in 1891.
Olga Wisinger-Florian
Austria born 1844 - died 1926 was an Austrian impressionist painter, mainly of landscapes and flower still lifes. She was a notable representative of Austrian Mood Impressionism. Having trained as a concert pianist, Wisinger-Florian switched to painting in the mid-1870s. She was a student of Melchior Fritsch, August Schaeffer, and Emil Jakob Schindler. From 1881 she regularly showed paintings at the annual exhibitions mounted at the artist's house and later often showed at Vienna Secession exhibitions. Work she showed at the Paris and Chicago international exhibitions earned her worldwide acclaim. The artist, who was also active in the middle-class women's movements of the time, was awarded numerous distinctions and prizes. Wisinger-Florian's early paintings can be assigned to what is known as Austrian Mood Impressionism. In her landscape paintings she adopted Schindler's sublime approach to nature. The motifs she employed, such as views of tree-lined avenues, gardens and fields, were strongly reminiscent of her teacher's work. After breaking with Schindler in 1884, however, the artist went her own way. Her conception of landscape became more realistic.






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